Tears of Jeremia: Portraits Red Chalk

Portraitzeichnung Red Chalk – Part of Collection 'Tears of Jeremiah'

Those who recognize these faces see more than just individuals—they recognize the truth they embody. I do not speak their names, for they have become symbols of a greater struggle. The words whisper of their deeds, yet I leave the riddle of their identity to the silence of your own heart and the depth of your knowledge. Do not search for the name; search for the human being.

Those who recognize these faces see more than just individuals—they recognize the truth they embody. I do not speak their names, for they have become symbols of a greater struggle. The words whisper of their deeds, yet I leave the riddle of their identity to the silence of your own heart and the depth of your knowledge. Do not search for the name; search for the human being.
In the silence and isolation of recent years, thirty portrait drawings in sanguine were born—faces of scholars whose lives were dedicated to a single purpose: the relentless pursuit and discovery of truth. These are no ordinary academics. The truth they sought is not merely inscribed on paper; these testimonies of timelessness were cried out from hearts and tears. As an eternal echo, they still resound through time and into the infinity of our being. 
Though their tears have long since dried and their voices fallen silent—many having departed from us under mysterious circumstances—they live on within these lines. Perhaps they have now found their place in the seventh heaven, from where they watch over us as guardians of truth and silent protectors.
With every stroke that bears pain and sorrow, I seek their eyes. I draw the sublime gaze in which peace and a sacred fire are simultaneously mirrored—a gaze like a bolt of lightning piercing the darkness. I draw the mouth of the poet and thinker: words that once fell as gently as dove feathers, yet cut through every falsehood and uncertainty as sharply as razor blades. No deception could escape these voices. These sanguine drawings are woven from anguish and tears. They stand as a testament to those who live on in the light of eternity.  

"Looking into the heart of light, the silence" — T.S. Eliot (Blickend in das Herz des Lichts, die Stille)

Portrait Collection in Sanguine: "Liberating the Line from the Clamor of the World"

"Then I said: I will not make mention of him, nor speak any more in his name. But his word was in mine heart as a burning fire shut up in my bones, and I was weary with forbearing, and I could not stay." (Jeremiah 20:9) 

This series is my attempt to liberate the line from the clamor of the world. In the silence of drawing, the political dissolves, leaving only a pure encounter with the human being. For me, art is not an instrument of struggle, but a path to freedom—a space where the countenance is permitted to speak for itself, beyond all interpretation. In these sanguine portrait studies, art lives a life of its own, independent and unbound. Between 2020 and 2022, my pencil became a silent observer of a world in transition. Amidst a time that often seemed loud and fractured, I sought the immutable within the human face in the stillness of my studio. 

The result was a series of studies—fleeting moments captured in the earthy immediacy of sanguine. I drew the faces of seekers, of scholars, and medical professionals; heads in whose features the burden of an entire epoch was etched. It was not an act of judgment, but one of compassion—a search for meaning behind the mask of concentration. To me, these portraits are like shards of a greater whole, fragments of a shared human experience. Within the deep shadows and the delicate lines around the eyes, I sought traces of intellectual solitude and the high price of responsibility. Far removed from the noise of daily events, I was left only with the attempt to preserve the dignity and the spiritual struggle of the individual—like a quiet lament that finds its solace in the permanence of the line.